Hypotheses
- In 17th-century Dutch art, threatening configurations will take meaning from diagonal and angular forms and happy and intimate configurations take meaning from curved forms (99).Aronoff, Joel - How we recognize angry and happy emotion in people, places, and things, 2006 - 2 Variables
This article presents a series of tests done to determine which geometric patterns in the features of masks, classical ballet, and 17th-century Dutch art evoke emotions of threat. Results suggest that diagonal and angular forms evoke emotions of threat.
Related Hypotheses Cite More By Author - Representations of threatening facial features will use angular and diagonal patterns (88).Aronoff, Joel - How we recognize angry and happy emotion in people, places, and things, 2006 - 2 Variables
This article presents a series of tests done to determine which geometric patterns in the features of masks, classical ballet, and 17th-century Dutch art evoke emotions of threat. Results suggest that diagonal and angular forms evoke emotions of threat.
Related Hypotheses Cite More By Author - Reduced curvilinearity and increased diagonality will be seen as more bad, more powerful, and/or more active (96).Aronoff, Joel - How we recognize angry and happy emotion in people, places, and things, 2006 - 2 Variables
This article presents a series of tests done to determine which geometric patterns in the features of masks, classical ballet, and 17th-century Dutch art evoke emotions of threat. Results suggest that diagonal and angular forms evoke emotions of threat.
Related Hypotheses Cite More By Author - Movements in classical ballet will use angular and diagonal spatial forms to convey threat and use rounded spatial forms to convey affection and warmth (93).Aronoff, Joel - How we recognize angry and happy emotion in people, places, and things, 2006 - 2 Variables
This article presents a series of tests done to determine which geometric patterns in the features of masks, classical ballet, and 17th-century Dutch art evoke emotions of threat. Results suggest that diagonal and angular forms evoke emotions of threat.
Related Hypotheses Cite More By Author - "Within a diverse set of cultures, masks used to convey threat would more frequently use the components of (previously identified) threatening facial displays than would masks used to convey positive emotions" (85).Aronoff, Joel - How we recognize angry and happy emotion in people, places, and things, 2006 - 1 Variables
This article presents a series of tests done to determine which geometric patterns in the features of masks, classical ballet, and 17th-century Dutch art evoke emotions of threat. Results suggest that diagonal and angular forms evoke emotions of threat.
Related Hypotheses Cite More By Author - Societies with predominantly circular houses will prefer curved lines in art. Societies with predominantly rectangular houses will prefer straight lines in art (745-746).Robbins, Michael C. - Material Culture and Cognition, 1966 - 2 Variables
This paper tests for a correlation between primary house shapes and preferences for curved or straight lines in art.
Related Hypotheses Cite More By Author - ". . . there would be more curved [and complex] designs in polygynous societies and more straight-line designs in monogamous societies" (86)Fischer, J. L. - Art styles as cultural cognitive maps, 1961 - 3 Variables
This paper tests theory suggesting that art is a form of expressive cultures which ultimately is shaped by the social conditions under which people in a society live. Focuses on social hierarchy and its relationship to art styles.
Related Hypotheses Cite More By Author - Sexual anxiety is associated with straight line dominant art (38)Gray, J. Patrick - Male security and art style in traditional societies, 1981 - 2 Variables
This paper suggests that Fischer's (1961) "male security" variable is not adequate. Cross-cultural analyses suggest that male security in the realm of father-son interaction may be more important than male security in the realm of heterosexual interaction in explaining the line shape preference of a society.
Related Hypotheses Cite More By Author - Menstrual taboos are associated with straight line dominant art (38)Gray, J. Patrick - Male security and art style in traditional societies, 1981 - 2 Variables
This paper suggests that Fischer's (1961) "male security" variable is not adequate. Cross-cultural analyses suggest that male security in the realm of father-son interaction may be more important than male security in the realm of heterosexual interaction in explaining the line shape preference of a society.
Related Hypotheses Cite More By Author - "Straight lines, representing the male form, as opposed to curved, should be associated with societies which strongly favor male solidarity in residence" (84)Fischer, J. L. - Art styles as cultural cognitive maps, 1961 - 2 Variables
This paper tests theory suggesting that art is a form of expressive cultures which ultimately is shaped by the social conditions under which people in a society live. Focuses on social hierarchy and its relationship to art styles.
Related Hypotheses Cite More By Author