Lullabies are often touted as universal to all human cultures, regardless of time and place. In order to test this axiom, this article examines all 186 societies in the Standard Cross-Cultural Sample, and codes them for the presence or absence of lullabies. The result ultimately hinges on the meaning of the word “lullaby”: when lullabies were defined as a strict and culturally conserved repertoire of songs sung to soothe infants, they were found to be neither a statistical nor even a “near” universal. However, when lullabies were defined as any type of singing used to soothe children, they were a near universal, with 96.8% of societies in the sample coded as having lullabies.

In asking whether or not there are meaningful universals in music, researchers compiled two catalogs – the Natural History of Song (NHS) Ethnography which contains ethnographic descriptions of song performances collected from eHRAF World Cultures, and the NHS Discography, which contains field recordings of performances of dance, healing, love, and lullaby. Using these two corpora, the study tests a variety of hypotheses about the universality and variability of both music behavior and music form. Specifically, whether there are meaningful universals in meaning and sound. The catalog of published sound recordings was analyzed by machine summaries, listener ratings, and manual transcriptions, which revealed that there were identifiable features of songs which could then predict their primary function cross-culturally. The results as a whole revealed that the existence of music is a cultural universal, and that the variation within music can be characterized by three factors assessing the formality, arousal, and religiosity of the song events. They also found that musical behavior varies more within societies than between them.

In asking whether or not there are meaningful universals in music, researchers compiled two catalogs – the Natural History of Song (NHS) Ethnography which contains ethnographic descriptions of song performances collected from eHRAF World Cultures, and the NHS Discography, which contains field recordings of performances of dance, healing, love, and lullaby. Using these two corpora, the study tests a variety of hypotheses about the universality and variability of both music behavior and music form. Specifically, whether there are meaningful universals in meaning and sound. The catalog of published sound recordings was analyzed by machine summaries, listener ratings, and manual transcriptions, which revealed that there were identifiable features of songs which could then predict their primary function cross-culturally. The results as a whole revealed that the existence of music is a cultural universal, and that the variation within music can be characterized by three factors assessing the formality, arousal, and religiosity of the song events. They also found that musical behavior varies more within societies than between them.

The authors examine a world-wide sample of cultures to assess whether the romantic-sexual kiss is a human universal. They also test for an association between romantic-sexual kissing and social complexity.

In asking whether or not there are meaningful universals in music, researchers compiled two catalogs – the Natural History of Song (NHS) Ethnography which contains ethnographic descriptions of song performances collected from eHRAF World Cultures, and the NHS Discography, which contains field recordings of performances of dance, healing, love, and lullaby. Using these two corpora, the study tests a variety of hypotheses about the universality and variability of both music behavior and music form. Specifically, whether there are meaningful universals in meaning and sound. The catalog of published sound recordings was analyzed by machine summaries, listener ratings, and manual transcriptions, which revealed that there were identifiable features of songs which could then predict their primary function cross-culturally. The results as a whole revealed that the existence of music is a cultural universal, and that the variation within music can be characterized by three factors assessing the formality, arousal, and religiosity of the song events. They also found that musical behavior varies more within societies than between them.

This study examines predictors of the type of conflict management used at the community level. Results suggest that level of political integration is associated with mode of conflict management.

In an effort to better understand variation in jealous response cross-culturally, the researchers of this study surveyed 11 different populations, eight of which were small-scale societies on five different continents (Mayangna, Shuar, Tsimane, Himba, Hadza, Karo Batak, Mosuo, and Yasawa) and three of which were in urban settings (Los Angeles, CA, "urban India" (online), and Okinawa, Japan). Looking at the differences between sexual and emotional infidelity, researchers found that greater paternal investment and lower frequency of extramarital sex are associated with more severe jealous response.

In an effort to better understand variation in jealous response cross-culturally, the researchers of this study surveyed 11 different populations, eight of which were small-scale societies on five different continents (Mayangna, Shuar, Tsimane, Himba, Hadza, Karo Batak, Mosuo, and Yasawa) and three of which were in urban settings (Los Angeles, CA, "urban India" (online), and Okinawa, Japan). Looking at the differences between sexual and emotional infidelity, researchers found that greater paternal investment and lower frequency of extramarital sex are associated with more severe jealous response.

This study examines Parsons' and Bales' proposition that a universal feature of social structure is gender sex role specialization of tasks. Results suggest that women contribute substantially to the subsistence economy across many domains, casting doubt on such universality.

This study explores the prevalence of group singing and its relationship with changes in social organization's participatory dynamics, precisely community size and social differentiation. The authors use two samples: 1) 5776 audio recordings from 1024 societies and 2) 4709 ethnographic texts from 60 societies. There is significant support that group singing is more prevalent than solo singing. The results also show that community size predicts group singing in only one of the samples (GJB). However, there is no significant support for social differentiation as a predictor of group singing.